Aproximación a los conceptos isabelinos de emoción. El vocabulario emocional en los tratados ingleses de Thomas Rogers (1576) y de Thomas Wright (1601)
Autores
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Paula Baldwin Lind
Universidad de Los Andes
https://orcid.org/0000-0003-2043-9304
Resumo
En este artículo se analiza la noción de “emoción” durante la Modernidad temprana inglesa, específicamente a lo largo de la era isabelina, desde algunas perspectivas de la historia cultural (Febvre y Burke) y del llamado “giro afectivo”. En primer lugar, se identifican los términos que describen y aluden a las emociones en dos de los tratados más representativos acerca del tema: el de Thomas Rogers y el de Thomas Wright, publicados en 1576 y 1601, respetivamente, para comprobar que el término “emoción”, que describe cierta alteración del ánimo, no aparece en estas fuentes, pues su uso en lengua inglesa es posterior. Ambos tratadistas optan por conceptos que consideran sinónimos para referirse a las emociones, ya sea “sentimientos”, “perturbaciones”, “mociones”, o “afectos”, pero, sobre todo, “pasiones”, lo que resalta la intensidad de aquello que se padece, aunque sin negar del todo la agencia humana. En segundo lugar, se establece que ambas fuentes se sustentan sobre la base de la teoría humoral hipocrática-galénica y de la herencia filosófica de Aristóteles y de San Agustín, entre otros, pero difieren en la perspectiva moral de las emociones, pues mientras Wright profesó el catolicismo, Rogers adhirió a la Reforma protestante. Finalmente, se plantea que la cultura isabelina asume que el sujeto masculino no solo experimenta y expresa las emociones de un modo diferente al de las mujeres, sino que, además, mientras sus emociones radicarían en el cerebro, el hígado y el bazo, toda la estructura emocional femenina, con sus diversas manifestaciones, se asociaría al útero.Palavras-chave:
Modernidad temprana inglesa, Era isabelina, Emociones, Wright, RogersReferências
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